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andlt;Pandgt;Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues with conviction in this engaging, sometimes pugnacious book, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. Circumstances invariably intervene to upset the architect’s best-laid plans — at every stage in the process, from design through construction to occupancy. Architects, however, tend to deny this, fearing contingency and preferring to pursue perfection. With andlt;Iandgt;Architecture Dependsandlt;/Iandgt;, architect and critic Jeremy Till offers a proposal for rescuing architects from themselves: a way to bridge the gap between what architecture actually is and what architects want it to be. Mixing anecdote, design, social theory, and personal experience, Till’s writing is always accessible, moving freely between high and low registers, much like his suggestions for architecture itself.andlt;/Pandgt;

A provocative declaration of war on utopia, powered by a fuel rich in social justice and sharp humor. Architects, hide it from your clients and your students — it is an unusual and explosive mixture that produces difficult questions like spores. With this book Jeremy Till raises the starting price on all our discussions of architecture. Paul Shepheard, author of What is Architecture? and Artificial Love

Boldly and elegantly, Architecture Depends asserts that architecture is absolutely dependent upon the ‘contingent’, difficult and perverse factors that architects have long tried to ignore in an effort to be pure, self-important and professional…What Till’s book achieves is to set out with great clarity the territory in which the debate around future action must take place. The MIT Press

“This is a brave, enjoyable, affirming and important book and I actually felt sad to have finished it.” Flora Samuel Times Higher Education The MIT Press

The book performs a wonderful contextualizing function, making architectural intervention, from idea to event, depend on the wide range of human habits and spheres of influence that we normally sum up as ‘the world’. Flora Samuel – Times Higher Education (Book of the Week)

“This is a brave, enjoyable, affirming and important book and I actually felt sad to have finished it.” Flora Samuel Times Higher Education The MIT Press

“Thought-provoking and important… Architecture Depends raises the question of the relationship of architecture and life to a new level.” Anni Vartola Arkkitehti (Finland) The MIT Press

Till’s book is about the world he knows and how one conveys ideas behind architecture. It is a superbly written, frequently fascinating set of arguments that will support architects who wish to use the messy stuff of life for their own advantage. Anni Vartola – Arkkitehti (Finland)

andlt;Pandgt;andquot;A provocative declaration of war on utopia, powered by a fuel rich in social justice and sharp humor. Architects, hide it from your clients and your students – it is an unusual and explosive mixture that produces difficult questions like spores. With this book Jeremy Till raises the starting price on all our discussions of architecture.andquot;–Paul Shepheard, author of What is Architecture? and Artificial Loveandlt;/Pandgt; The MIT Press The MIT Press

andlt;Pandgt;”Boldly and elegantly, andlt;Iandgt;Architecture Dependsandlt;/Iandgt; asserts that architecture is absolutely dependent upon the ‘contingent’, difficult and perverse factors that architects have long tried to ignore in an effort to be pure, self-important and professional…What Till’s book achieves is to set out with great clarity the territory in which the debate around future action must take place.” Robert Mull Architects” Journalandlt;/Pandgt; The MIT Press The MIT Press

andlt;Pandgt;” andlt;Iandgt;Architecture Dependsandlt;/Iandgt; is an attempt to save the profession from itself and a manifesto for an architecture that acknowledges its relationship with the world and its duty to others…This is a brave, enjoyable, affirming and important book and I actually felt sad to have finished it.” andlt;Bandgt;Flora Samuelandlt;/Bandgt;, Times Higher Education (Book of the Week)andlt;/Pandgt; The MIT Press

andlt;Pandgt;”The book performs a wonderful contextualizing function, making architectural intervention, from idea to event, depend on the wide range of human habits and spheres of influence that we normally sum up as “the world”.” Lucas Freeman Scapegoatandlt;/Pandgt; The MIT Press

andlt;Pandgt;”This is a brave, enjoyable, affirming and important book and I actually felt sad to have finished it.” Flora Samuel Times Higher Educationandlt;/Pandgt; The MIT Press

andlt;Pandgt;”Thought-provoking and important… andlt;Iandgt;Architecture Dependsandlt;/Iandgt; raises the question of the relationship of architecture and life to a new level.” Anni Vartola Arkkitehti (Finland)andlt;/Pandgt; The MIT Press

andlt;Pandgt;”Till’s book is about the world he knows and how one conveys ideas behind architecture. It is a superbly written, frequently fascinating set of arguments that will support architects who wish to use the messy stuff of life for their own advantage.” Tim Abrahams Blueprintandlt;/Pandgt;

Architecture Depends is an attempt to save the profession from itself and a manifesto for an architecture that acknowledges its relationship with the world and its duty to others…This is a brave, enjoyable, affirming and important book and I actually felt sad to have finished it. Robert Mull – Architects’ Journal

Thought-provoking and important… Architecture Depends raises the question of the relationship of architecture and life to a new level. Lucas Freeman – Scapegoat

Polemics and reflections on how to bridge the gap between what architecture actually is and what architects want it to be.

Polemics and reflections on how to bridge the gap between what architecture actually is and what architects want it to be.

Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues with conviction in this engaging, sometimes pugnacious book, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. Circumstances invariably intervene to upset the architect’s best-laid plans — at every stage in the process, from design through construction to occupancy. Architects, however, tend to deny this, fearing contingency and preferring to pursue perfection. With Architecture Depends, architect and critic Jeremy Till offers a proposal for rescuing architects from themselves: a way to bridge the gap between what architecture actually is and what architects want it to be. Mixing anecdote, design, social theory, and personal experience, Till’s writing is always accessible, moving freely between high and low registers, much like his suggestions for architecture itself.

Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues with conviction in this engaging, sometimes pugnacious book, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. Circumstances invariably intervene to upset the architect’s best-laid plans — at every stage in the process, from design through construction to occupancy. Architects, however, tend to deny this, fearing contingency and preferring to pursue perfection. With Architecture Depends, architect and critic Jeremy Till offers a proposal for rescuing architects from themselves: a way to bridge the gap between what architecture actually is and what architects want it to be. Mixing anecdote, design, social theory, and personal experience, Till’s writing is always accessible, moving freely between high and low registers, much like his suggestions for architecture itself.

andlt;Pandgt;Polemics and reflections on how to bridge the gap between what architecture actually is and what architects want it to be.andlt;/Pandgt;

Jeremy Till is Head of Central St Martins/Pro Vice-Chancellor, University of the Arts London, and a partner at Sarah Wigglesworth Architects. Their projects include the pioneering 9 Stock Orchard Street (The Strawbale House and Quilted Office), winner of multiple awards. He represented Britain at the 2006 Venice Architecture Biennale.