Eyes of the Skin Architecture & the Senses PDF Book Download *FREE

Architecture has the capacity to be inspiring, engaging and life-enhancing. But why is it that architectural schemes which look good on the drawing board or the computer screen can be so disappointing ‘in the flesh’?

The answer, argues Juhani Pallasmaa, lies in the dominance of the visual realm in today’s technological and consumer culture, which has pervaded architectural practice and education. Whilst our experience of the world is formulated by a combination of five senses, much architecture is produced under consideration of only one – sight. The suppression of the other sensory realms has led to an impoverishment of our environment, causing a feeling of detachment and alienation.

First published in 1996, The Eyes of the Skin has become a classic of architectural theory and is required reading on courses in schools of architecture around the world. It consists of two extended essays. The first surveys the historical development of the ocularcentric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.

Since the book’s first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader’s perception of the world around them.

‘Not since the Danish architect Steen Eiler Rasmussen’s Experiencing Architecture (1959) has there been such a succinct and clear text which could serve students and architects at this critical time in the development of 21st-century architecture.’ Steven Holl

Since the book’s first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader’s perception of the world around them.

The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.

The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.

JUHANI PALLASMAA is one of Finland’s most distinguished architects and architectural theorists. In all aspects of his theoretical and design practice – which includes architecture, graphic design, urban planning and exhibitions – he places a consistent emphasis on the importance of identity, sensorial experience and tactility.

Part 1

Vision and Knowledge

Critics of Ocularcentrism

The Narcissistic and Nihilistic Eye

Oral versus Visual Space

Retinal Architecture and the Loss of Plasticity

An Architecture of Visual Images

Materiality and Time

The Rejection of Alberti’s Window

A New Vision and Sensory Balance Part 2

The Body in the Centre

Multi-Sensory Experience

The Significance of the Shadow

Acoustic Intimacy

Silence, Time and Solitude

Spaces of Scent

The Shape of Touch

The Taste of Stone

Images of Muscle and Bone

Images of Action

Bodily Identification

Mimesis of the Body

Spaces of Memory and Imagination

An Architecture of the Senses

The Task of Architecture