Spaces Speakre You Listening PDF Book Download *FREE

andlt;Pandgt;We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and “hear” the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture’s attitudes toward hearing and space. Some listeners can learn to “see” objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling.Integrating contributions from a wide range of disciplines–including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others–Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.andlt;/Pandgt;

At last, a book that reveals that spaces are meaningful beyond their acoustics! I was captivated by this impressively well-documented book, and recommend it to anyone with an interest in acoustics or architecture. The MIT Press

“This wide-ranging, articulate, and probing investigation of how humans listen helps us to appreciate the value of natural and constructed acoustics. It also shows that our sense of the space of sound has largely been lost in the vast library of recorded music. This book will change how you listen. Well done!”–Floyd Toole, Vice President of Acoustical Engineering, Harman International Industries

“Blesser and Salter have thoughtfully synthesized a wide range of technical, aesthetic, and humanistic considerations of aural architecture to create a valuable interdisciplinary resource for anyone interested in thinking about sound, space, and society.”–Emily Thompson, Professor of History, Princeton University, and author of *The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933*

“This wide-ranging, articulate, and probing investigation of how humans listen helps us to appreciate the value of natural and constructed acoustics. It also shows that our sense of the space of sound has largely been lost in the vast library of recorded music. This book will change how you listen. Well done!”
—Floyd Toole, Vice President of Acoustical Engineering, Harman International Industries

“The authors present a groundbreaking synthesis of auditory spatial awareness as it has developed from cave acoustics through the modern concert hall to digital simulations of virtual spaces. Drawing on numerous disciplines, they summarize the scientific and cultural knowledge of the subtleties of acoustic spaces in a clear and readable manner, while challenging our social values about the optimal design of those spaces. A must-read for every student of architecture and aural culture.”–Barry Truax, Professor and Composer, Simon Fraser University

“This book is a serious overview of aural architecture and its growing importance in our world. Its comprehensive range — from historical essay to technical and social aspects of the field — makes it an important addition to the existing literature on this subject.”–Karen Van Lengen, Dean, School of Architecture, University of Virginia

Choice Outstanding Academic Title, 2007. –Julius Grey

The ‘final frontier’ of computer music is undoubtedly microsound — the quantum level of acoustics — and Curtis Roads boldly leads us into this new domain, which will become increasingly important in the 21st century. In providing the history, theory, and compositional practice of the micro scale of sound design, Roads clearly lays out the roadmap to this exciting and challenging area of digital research. The book is destined to become the standard reference in the field for years to come. Colin Novak – International Journal of Acoustics and Vibration

“Kristen Haring has constructed an engaging account of ham radio culture in mid-twentieth-century America. In so doing, she illuminates how people assign meaning to–and identify with–technologies of all kinds, thus her book will be of value to all students of technological culture.”–Emily Thompson, Professor of History, Princeton University, and author of *The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933* The MIT Press

” Spaces Speak, Are You Listening? is book that would round out the collection of musician, engineer, architect, musical historian, or philosopher.” Colin Novak International Journal of Acoustics and Vibration The MIT Press

Outstanding Academic Title, 2007. Choice The MIT Press

andlt;Pandgt;andquot;At last, a book that reveals that spaces are meaningful beyond their acoustics! I was captivated by this impressively well-documented book, and recommend it to anyone with an interest in acoustics or architecture.andquot;–Jean-Dominique Polack, Université Pierre et Marie Curie, Parisandlt;/Pandgt; The MIT Press

andlt;Pandgt;” andlt;Iandgt;Spaces Speak, Are You Listening?andlt;/Iandgt; is book that would round out the collection of musician, engineer, architect, musical historian, or philosopher.” Colin Novak International Journal of Acoustics and Vibrationandlt;/Pandgt; The MIT Press The MIT Press

andlt;Pandgt;”The ‘final frontier’ of computer music is undoubtedly microsound–the quantum level of acoustics–and Curtis Roads boldly leads us into this new domain, which will become increasingly important in the 21st century. In providing the history, theory, and compositional practice of the micro scale of sound design, Roads clearly lays out the roadmap to this exciting and challenging area of digital research. The book is destined to become the standard reference in the field for years to come.”–Barry Truax, Professor and Composer, Simon Fraser UniversityPlease note: Endorser gives permission to excerpt from quote.andlt;/Pandgt; The MIT Press

andlt;Pandgt;Outstanding Academic Title, 2007. Choiceandlt;/Pandgt; The MIT Press

andlt;Pandgt;”Kristen Haring has constructed an engaging account of ham radio culture in mid-twentieth-century America. In so doing, she illuminates how people assign meaning to–and identify with–technologies of all kinds, thus her book will be of value to all students of technological culture.”–Emily Thompson, Professor of History, Princeton University, and author of *The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933*andlt;/Pandgt; The MIT Press

Spaces Speak, Are You Listening? is book that would round out the collection of musician, engineer, architect, musical historian, or philosopher. Jean-Dominique Polack, Université Pierre et Marie Curie, Paris

Outstanding Academic Title, 2007. Barry Truax, Professor and Composer, Simon Fraser University

We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and “hear” the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture’s attitudes toward hearing and space. Some listeners can learn to “see” objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling.

Integrating contributions from a wide range of disciplines — including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others — Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.

How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater.

We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and “hear” the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture’s attitudes toward hearing and space. Some listeners can learn to “see” objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling.

Integrating contributions from a wide range of disciplines — including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others — Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.

How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater.

andlt;Pandgt;How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater.andlt;/Pandgt;

Choice Outstanding Academic Title, 2007.

“The ‘final frontier’ of computer music is undoubtedly microsound–the quantum level of acoustics–and Curtis Roads boldly leads us into this new domain, which will become increasingly important in the 21st century. In providing the history, theory, and compositional practice of the micro scale of sound design, Roads clearly lays out the roadmap to this exciting and challenging area of digital research. The book is destined to become the standard reference in the field for years to come.”–Barry Truax, Professor and Composer, Simon Fraser UniversityPlease note: Endorser gives permission to excerpt from quote.

“The authors present a groundbreaking synthesis of auditory spatial awareness as it has developed from cave acoustics through the modern concert hall to digital simulations of virtual spaces. Drawing on numerous disciplines, they summarize the scientific and cultural knowledge of the subtleties of acoustic spaces in a clear and readable manner, while challenging our social values about the optimal design of those spaces. A must-read for every student of architecture and aural culture.”–Barry Truax, Professor and Composer, Simon Fraser University

“At last, a book that reveals that spaces are meaningful beyond their acoustics! I was captivated by this impressively well-documented book, and recommend it to anyone with an interest in acoustics or architecture.”–Jean-Dominique Polack, Université Pierre et Marie Curie, Paris

“Blesser and Salter have thoughtfully synthesized a wide range of technical, aesthetic, and humanistic considerations of aural architecture to create a valuable interdisciplinary resource for anyone interested in thinking about sound, space, and society.”–Emily Thompson, Professor of History, Princeton University, and author of *The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933*

“This wide-ranging, articulate, and probing investigation of how humans listen helps us to appreciate the value of natural and constructed acoustics. It also shows that our sense of the space of sound has largely been lost in the vast library of recorded music. This book will change how you listen. Well done!”–Floyd Toole, Vice President of Acoustical Engineering, Harman International Industries

“This book is a serious overview of aural architecture and its growing importance in our world. Its comprehensive range — from historical essay to technical and social aspects of the field — makes it an important addition to the existing literature on this subject.”–Karen Van Lengen, Dean, School of Architecture, University of Virginia

“Kristen Haring has constructed an engaging account of ham radio culture in mid-twentieth-century America. In so doing, she illuminates how people assign meaning to–and identify with–technologies of all kinds, thus her book will be of value to all students of technological culture.”–Emily Thompson, Professor of History, Princeton University, and author of *The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933*